https://jeonghur.com JEONG HUR Wed, 08 Oct 2025 19:55:33 +0000 https://jeonghur.com en https://jeonghur.com/About Sat, 28 Dec 2019 03:51:16 +0000 JEONG HUR https://jeonghur.com/About <img width="1600" height="2000" width_o="1600" height_o="2000" data-src="https://freight.cargo.site/t/original/i/bc80545a69575939f63171e95367553c68d2b1b9665be366448ee7bf0c0ae8a0/02282024_26-Edit_LR.jpg" data-mid="208983051" border="0" src="https://freight.cargo.site/w/1000/i/bc80545a69575939f63171e95367553c68d2b1b9665be366448ee7bf0c0ae8a0/02282024_26-Edit_LR.jpg" /> Jeong Hur / 허정 b. Seoul, South Korea, based in Brooklyn Jeong Hur is an artist working with pine wood, hanji, pigment, and light. His work has been exhibited across the United States, Europe, and Asia. He received his MFA from the School of Visual Arts, New York. Statement:Photography begins with light, not as subject, but as condition. Light does not depict; it makes something possible or withholds that possibility. My practice starts from this premise and refuses its usual conclusion. Rather than fixing light into an image, I construct the conditions in which light lingers, resists, and remains undecided. I build frames using pine wood and hanji. The frame is not a border. It is a threshold, structural and unstable at once, neither fully wall nor window. Hanji does not transmit or block light cleanly; it holds it in suspension, softening the boundary between inside and outside without resolving it. Carved wooden elements interrupt any complete opening or closure. The structures lean, press, or rest against surfaces. They do not stand on their own terms. This in-between state is not a failure of resolution, it is the work itself. I am interested in perception as something shaped by friction, weight, and resistance rather than transparency. Seeing, in this sense, is never neutral. It is always negotiated through the conditions that frame it. My background in photography is not a point of departure I have left behind. It is the conceptual ground I continue to work from, the understanding that framing is never innocent, that light is never simply given, and that the moment of fixing is always a choice about what gets held and what does not. I do not fix that moment. I stay with what comes before it. CV Email: jeonghur0314@gmail.com Instagram:@jeong.h.something &nbsp; &nbsp;&nbsp; https://jeonghur.com/Incomplete-but-waiting Sun, 16 Feb 2025 21:04:09 +0000 JEONG HUR https://jeonghur.com/Incomplete-but-waiting <img width="2667" height="2000" width_o="2667" height_o="2000" data-src="https://freight.cargo.site/t/original/i/54ecf75bdf0804a8a5adb3d6b8b41c8f5a7fda7b27cee02455d0765ac5affcf3/Documentation_04112026-005-Edit_LR-2.jpg" data-mid="247257259" border="0" src="https://freight.cargo.site/w/1000/i/54ecf75bdf0804a8a5adb3d6b8b41c8f5a7fda7b27cee02455d0765ac5affcf3/Documentation_04112026-005-Edit_LR-2.jpg" /> <img width="2500" height="1875" width_o="2500" height_o="1875" data-src="https://freight.cargo.site/t/original/i/2fdf93286ba9a0b225e55f79d2ac86ac514db7bfb35b62d5e917f843d36760ac/Sojourner_09182025-2_LR.jpg" data-mid="238507432" border="0" src="https://freight.cargo.site/w/1000/i/2fdf93286ba9a0b225e55f79d2ac86ac514db7bfb35b62d5e917f843d36760ac/Sojourner_09182025-2_LR.jpg" /> <img width="1500" height="1125" width_o="1500" height_o="1125" data-src="https://freight.cargo.site/t/original/i/3a19d3ab15f534b84ed676af1734ff958ddd6077de33ec123493dc6926d84fa9/_J9A7205-Edit_LR.jpg" data-mid="244228516" border="0" src="https://freight.cargo.site/w/1000/i/3a19d3ab15f534b84ed676af1734ff958ddd6077de33ec123493dc6926d84fa9/_J9A7205-Edit_LR.jpg" /> <img width="1200" height="1500" width_o="1200" height_o="1500" data-src="https://freight.cargo.site/t/original/i/53b038ff7f5f5dfa3df8209c242e5171f195aa551742c00d89a39585de040702/Held-Signal-1_LR.jpg" data-mid="246213638" border="0" src="https://freight.cargo.site/w/1000/i/53b038ff7f5f5dfa3df8209c242e5171f195aa551742c00d89a39585de040702/Held-Signal-1_LR.jpg" /> <img width="2000" height="2500" width_o="2000" height_o="2500" data-src="https://freight.cargo.site/t/original/i/e74b458d7877115c609eafa91e50f1ef85a229c0e9b8ebcc47b7a008e045b5b9/Documentation_04112026-013-Edit_LR-3.jpg" data-mid="247257261" border="0" src="https://freight.cargo.site/w/1000/i/e74b458d7877115c609eafa91e50f1ef85a229c0e9b8ebcc47b7a008e045b5b9/Documentation_04112026-013-Edit_LR-3.jpg" /> <img width="1200" height="1500" width_o="1200" height_o="1500" data-src="https://freight.cargo.site/t/original/i/19fc4bd7ddf5693a5f359915ca2b8f03112711bfba416449bdfed2fc7db217a3/Held-by-Ruin-2_LR.jpg" data-mid="246851232" border="0" src="https://freight.cargo.site/w/1000/i/19fc4bd7ddf5693a5f359915ca2b8f03112711bfba416449bdfed2fc7db217a3/Held-by-Ruin-2_LR.jpg" /> <img width="1500" height="1125" width_o="1500" height_o="1125" data-src="https://freight.cargo.site/t/original/i/1ce1d5c8a3cf788c3d5365ec38779e26f2c6283bc6a93332cd628f97d25ed287/Manual-Override-11_LR.jpg" data-mid="242579086" border="0" src="https://freight.cargo.site/w/1000/i/1ce1d5c8a3cf788c3d5365ec38779e26f2c6283bc6a93332cd628f97d25ed287/Manual-Override-11_LR.jpg" /> <img width="1200" height="1500" width_o="1200" height_o="1500" data-src="https://freight.cargo.site/t/original/i/601583f4d438583f32c72a75432d449f7d9c3e21b5ac944ed4aa89e830142888/Untitled-1.gif" data-mid="242148232" border="0" src="https://freight.cargo.site/w/1000/i/601583f4d438583f32c72a75432d449f7d9c3e21b5ac944ed4aa89e830142888/Untitled-1.gif" /> <img width="5792" height="7240" width_o="5792" height_o="7240" data-src="https://freight.cargo.site/t/original/i/94d0079928dc53539e322aa862faec6931767d754589fa537d8f1b9c49ebd1e4/Temporary-Equilibrium-4.jpg" data-mid="244602717" border="0" src="https://freight.cargo.site/w/1000/i/94d0079928dc53539e322aa862faec6931767d754589fa537d8f1b9c49ebd1e4/Temporary-Equilibrium-4.jpg" /> <img width="1200" height="1500" width_o="1200" height_o="1500" data-src="https://freight.cargo.site/t/original/i/5dd3e8a19da5e401bbbb0933376e1d1127c7f7e28dc091720038d3ca802d8fe5/After-the-Curtain-Falls_002_LR.jpg" data-mid="247280757" border="0" src="https://freight.cargo.site/w/1000/i/5dd3e8a19da5e401bbbb0933376e1d1127c7f7e28dc091720038d3ca802d8fe5/After-the-Curtain-Falls_002_LR.jpg" /> <img width="1200" height="1500" width_o="1200" height_o="1500" data-src="https://freight.cargo.site/t/original/i/471fd705c7bba0da3bb7b57e42746bf51bfd700e135a7e7371393b1db4ea7e61/Light-Reaches-In.gif" data-mid="241461296" border="0" src="https://freight.cargo.site/w/1000/i/471fd705c7bba0da3bb7b57e42746bf51bfd700e135a7e7371393b1db4ea7e61/Light-Reaches-In.gif" /> <img width="1000" height="1250" width_o="1000" height_o="1250" data-src="https://freight.cargo.site/t/original/i/da291a8b325a566f1095137fa50f7b2df7c53347f8e52931d3d668952a8e8ba8/_J9A5826-Edit_Small.gif" data-mid="234709170" border="0" src="https://freight.cargo.site/w/1000/i/da291a8b325a566f1095137fa50f7b2df7c53347f8e52931d3d668952a8e8ba8/_J9A5826-Edit_Small.gif" /> <img width="1200" height="1500" width_o="1200" height_o="1500" data-src="https://freight.cargo.site/t/original/i/040c5328bfffdb1dc2c2fb3e166c831b36ae479dc14e398c14f1d2ef44b2e6c0/Held-Too-Long-2-Edit_LR.jpg" data-mid="237985715" border="0" src="https://freight.cargo.site/w/1000/i/040c5328bfffdb1dc2c2fb3e166c831b36ae479dc14e398c14f1d2ef44b2e6c0/Held-Too-Long-2-Edit_LR.jpg" /> <img width="1600" height="2000" width_o="1600" height_o="2000" data-src="https://freight.cargo.site/t/original/i/96fdbf70970050811ab1697d4da2cc12ce00aa9fe193c63110c22c238e5e2cc3/Fractured-Stillness-1_LR.jpg" data-mid="237487099" border="0" src="https://freight.cargo.site/w/1000/i/96fdbf70970050811ab1697d4da2cc12ce00aa9fe193c63110c22c238e5e2cc3/Fractured-Stillness-1_LR.jpg" /> Note: Apr 2026: I begin by drawing, measuring, and building. Most of the time, though, I am adjusting, turning unfinished frames, placing them close, far, above, or beside one another. I am not looking for a fixed position. I am putting off the moment when one becomes necessary. The concept comes later. The hand comes first. I build frames using pine wood and hanji. The frame is structure, wall, window, and system, held together without settling into a single definition. The structures rarely stand on their own. They lean, press, or rest against surrounding surfaces. Hanji does not fully transmit or block light; it holds it, softens it, delays it. Light becomes something that lingers rather than reveals. Carved wooden elements interrupt any complete opening or closure. Material resists decision. I do not fix a position in relation to the frame. I remain at its edge, neither inside nor outside, but suspended there. Still, I am there. Jan 2026:My recent work approaches the window not as a metaphor for viewing, but as a condition—an unstable state that can slip, resist, or require intervention to remain in place. Using pinewood frames, hanji paper, and embedded light, I construct structures that hover between architecture and object, visibility and obstruction. Rather than functioning as transparent devices, these windows behave unpredictably. Light is no longer external or given; it is held within the structure, delayed by layers of paper, or partially blocked by the frame itself. In this sense, perception is no longer passive. It becomes something shaped by friction, weight, and material resistance. Hand-carved elements appear throughout the work as interruptions or braces—manual interventions that prevent the window from fully opening or collapsing. These gestures suggest acts of holding rather than revealing. The hand does not point outward; it stays with the structure, negotiating its balance and instability. Across wall-mounted, leaning, and floor-based forms, the window repeatedly loses its fixed position. It tilts, braces itself, or appears overridden by its own support system. There is no clear distinction between inside and outside. Instead, the work remains suspended in an in-between state, where control is provisional and seeing is shaped by constraint rather than clarity. Rather than resolving this tension, my practice stays with it. Fragility, weight, and containment are treated not as vulnerabilities, but as active forces—conditions that define how space is perceived, inhabited, and momentarily held together. Aug 2025: My work begins from the quiet space between seeing and being seen. I grew up surrounded by the soft opacity of hanji screens in Korea and the clarity of glass windows in the West—a duality that made me question what is meant to be visible, and what is meant to be sensed. This tension stayed with me. Over time, it grew into a desire to build not just images, but structures that hold memory, containment, and the possibility of crossing through. I began carving pinewood into window-like frames and layering them with hanji, alcohol ink, and pastel washes. These materials are both fragile and persistent—like memories. The works are often openings, but not fully open; closures, but not fully shut. In Opening in Between, When I Opened the Window, or In the Pause Between, I trace a rhythm of hesitation, resistance, and reach. The carved forms—resembling hands or remnants of gestures—serve as quiet actors, holding, touching, or waiting at the edge of an unseen threshold. This body of work is a response to living in-between languages, geographies, and expectations. As an immigrant and a maker, I find myself returning to boundaries—not to reinforce them, but to soften and question them. What happens if a window doesn't show the world, but instead reflects the quiet inside? What if the act of looking becomes an act of feeling? Through these pieces, I invite viewers to stay in that in-between—to look, not for answers, but for a presence. Apr 2025: I begin by building a frame in an empty space. I cut wood, draw lines, and divide the surface. The grid doesn’t exist to convey meaning— it’s a quiet rhythm, a way to hold still an uneasy space. My background in graphic design taught me to fill fixed formats. In photography and video, I had to create a frame around what refused to be held. That repetition became exhausting. Now, I try to create a place where things can simply remain— without needing to be resolved. I construct structures from pinewood, divide them from within, and layer hanji paper across the surface. Hanji softens the light and blurs the gaze. Red and green appear, but rarely collide. They drift, pause, or remain uncertain. Color doesn’t express emotion. It only pretends to. I rarely show my emotions. Color becomes a quiet way to let something pass— without saying too much. Hands appear in my work. They seem still, but they aren’t fixed. They carry a kind of potential— to reach or to retreat. Suspended in between, they wait without conclusion. The frame, to me, is both a way of seeing and a way of holding myself together. Inside it, I hide, empty out, and occasionally reveal. For now, I remain somewhere in between. Feb 2025: A window is never just a window. It decides what we see and what remains hidden. In my work, I construct wooden frames that define a particular view, partially obscured by hanji paper. This thin yet significant barrier does not completely block the outside world but filters it—softening edges, diffusing light, leaving room for interpretation. Unlike glass, which promises clarity but reflects as much as it reveals, hanji offers a different way of seeing: one that embraces both ambiguity and presence. Looking through a window is never passive. We believe we see the world as it is, but our vision is always framed—by culture, memory, and the structures that surround us. In my work, hands grip the frame, holding onto its edges, yet they cannot fully open or remove it. Does the frame offer protection, or does it confine? If the window were gone, would we see more, or would we be lost in formless space? Western glass windows suggest transparency, an unobstructed truth, yet they also separate and contain. Traditional Korean hanji windows, by contrast, allow light and air to pass through, embracing the imperfect and the uncertain. My work exists between these two ideas—between clarity and concealment, between the seen and the imagined. These frames do more than define a view; they shape perception itself. The world we see is never just what is there, but what is allowed, what is constructed, what is remembered. Through my work, I explore this tension—not just between inside and outside, but between choice and constraint, agency and illusion. What we believe to be an open view may, in the end, be nothing more than a carefully placed frame. https://jeonghur.com/Something-1 Fri, 10 Jun 2022 01:53:54 +0000 JEONG HUR https://jeonghur.com/Something-1 <img width="1200" height="1500" width_o="1200" height_o="1500" data-src="https://freight.cargo.site/t/original/i/3b460530939921a9f2f86047c9173b676db21d7ff169499ae1cffc9839e85a29/_J9A5617-Edit_LR.jpg" data-mid="227641817" border="0" src="https://freight.cargo.site/w/1000/i/3b460530939921a9f2f86047c9173b676db21d7ff169499ae1cffc9839e85a29/_J9A5617-Edit_LR.jpg" /> <img width="1600" height="2000" width_o="1600" height_o="2000" data-src="https://freight.cargo.site/t/original/i/21466f82c83a15e18264d72a832fee4530896c8d7a6a3839d66e8c4606726eb4/Doc_05302024-037-Edit.gif" data-mid="212083424" border="0" alt="One day, as I was walking, I caught a whiff of something delightful - the scent of a flower. I turned around to locate the source. And I saw a girl walking behind me. There was a floral breeze from her two braided hair." data-caption="One day, as I was walking, I caught a whiff of something delightful - the scent of a flower. I turned around to locate the source. And I saw a girl walking behind me. There was a floral breeze from her two braided hair." src="https://freight.cargo.site/w/1000/i/21466f82c83a15e18264d72a832fee4530896c8d7a6a3839d66e8c4606726eb4/Doc_05302024-037-Edit.gif" /> <img width="1600" height="2000" width_o="1600" height_o="2000" data-src="https://freight.cargo.site/t/original/i/10a7ab0e68ceb9329764c0592b098e285ca4522a8d46cfbf3832c24de7118e12/A-floral-breeze-as-you-passed-7_LR.jpg" data-mid="213237869" border="0" src="https://freight.cargo.site/w/1000/i/10a7ab0e68ceb9329764c0592b098e285ca4522a8d46cfbf3832c24de7118e12/A-floral-breeze-as-you-passed-7_LR.jpg" /> <img width="1600" height="2000" width_o="1600" height_o="2000" data-src="https://freight.cargo.site/t/original/i/4cc7020dbffd53dade8a5d16a4079a0d9460de37c2f361d6bd6c99804aace3e3/_J9A5502-Edit_LR.jpg" data-mid="219977051" border="0" src="https://freight.cargo.site/w/1000/i/4cc7020dbffd53dade8a5d16a4079a0d9460de37c2f361d6bd6c99804aace3e3/_J9A5502-Edit_LR.jpg" /> <img width="1200" height="1500" width_o="1200" height_o="1500" data-src="https://freight.cargo.site/t/original/i/c8434e52687abd81408000bc6185d121452e39f0a282d0043dc11234c129f5c5/Peeping-Tom_10_LR.jpg" data-mid="214597481" border="0" alt="In the deep of night, my house alone stands alight. When inspiration strikes and I yearn to create something extraordinary, an unbidden thought encircles me: who is watching? Someone is watching me through the glow that pierces the darkness." data-caption="In the deep of night, my house alone stands alight. When inspiration strikes and I yearn to create something extraordinary, an unbidden thought encircles me: who is watching? Someone is watching me through the glow that pierces the darkness." src="https://freight.cargo.site/w/1000/i/c8434e52687abd81408000bc6185d121452e39f0a282d0043dc11234c129f5c5/Peeping-Tom_10_LR.jpg" /> <img width="1600" height="2000" width_o="1600" height_o="2000" data-src="https://freight.cargo.site/t/original/i/459af3fe8aa70e2feb066d95ba481483175a594dba33d9b0d0258908ad782084/I-look-good-after-shower-1_LR.jpg" data-mid="219624220" border="0" alt="The mirror fogs up, warm and smelling like shampoo, and somehow, I look softer, like the steam made me a little better than I was before." data-caption="The mirror fogs up, warm and smelling like shampoo, and somehow, I look softer, like the steam made me a little better than I was before." src="https://freight.cargo.site/w/1000/i/459af3fe8aa70e2feb066d95ba481483175a594dba33d9b0d0258908ad782084/I-look-good-after-shower-1_LR.jpg" /> <img width="2000" height="1600" width_o="2000" height_o="1600" data-src="https://freight.cargo.site/t/original/i/36467e7ea58587c07944bcb417a7f6587bffbddb43c69629e54d93020480384f/02282024_55-Edit_LR.jpg" data-mid="205795601" border="0" src="https://freight.cargo.site/w/1000/i/36467e7ea58587c07944bcb417a7f6587bffbddb43c69629e54d93020480384f/02282024_55-Edit_LR.jpg" /> <img width="2000" height="1600" width_o="2000" height_o="1600" data-src="https://freight.cargo.site/t/original/i/9321a30f7b7256ed2d8f6ecfd159500032e1ebea9bd38360f8b7b1f7fb9ed7da/02282024_44-Edit_LR.jpg" data-mid="205795621" border="0" alt="Disaster always comes unexpectedly. And I survived. The world still rotates as it always has. The sun still shines, and casting its warm glow upon me. Yet, here I stand, watching the world that was once familiar to me now turned upside down." data-caption="Disaster always comes unexpectedly. And I survived. The world still rotates as it always has. The sun still shines, and casting its warm glow upon me. Yet, here I stand, watching the world that was once familiar to me now turned upside down." src="https://freight.cargo.site/w/1000/i/9321a30f7b7256ed2d8f6ecfd159500032e1ebea9bd38360f8b7b1f7fb9ed7da/02282024_44-Edit_LR.jpg" /> <img width="1333" height="2000" width_o="1333" height_o="2000" data-src="https://freight.cargo.site/t/original/i/e68b20f45ec8f79d156d76ab2b5626df2a44cfdb2084703c47b0b6c1c4aaf091/Watchers-10_LR.jpg" data-mid="213237901" border="0" alt="Sometimes, it feels like people are watching me, even though I&rsquo;m not on stage. In those moments, I wish I could be an inanimate object. I long to be something that no one can nitpick or criticize. I know no one is actually watching me, but I still wish I could be unnoticed." data-caption="Sometimes, it feels like people are watching me, even though I’m not on stage. In those moments, I wish I could be an inanimate object. I long to be something that no one can nitpick or criticize. I know no one is actually watching me, but I still wish I could be unnoticed." src="https://freight.cargo.site/w/1000/i/e68b20f45ec8f79d156d76ab2b5626df2a44cfdb2084703c47b0b6c1c4aaf091/Watchers-10_LR.jpg" /> <img width="1200" height="1500" width_o="1200" height_o="1500" data-src="https://freight.cargo.site/t/original/i/b82dd69a59274dcf365e87bde9f97ec6ddbe924439b07a0e289079ba2f4bdb60/08292024_043-Edit_LR.gif" data-mid="217242980" border="0" alt="Drifting in the sea beneath the sun&rsquo;s embrace, Birdsong echoes, rippling through the waves&rsquo; soft grace. I surrender to the water&rsquo;s gentle pull, unaware, As I sink slowly, cradled by warmth, without a care." data-caption="Drifting in the sea beneath the sun’s embrace, Birdsong echoes, rippling through the waves’ soft grace. I surrender to the water’s gentle pull, unaware, As I sink slowly, cradled by warmth, without a care." src="https://freight.cargo.site/w/1000/i/b82dd69a59274dcf365e87bde9f97ec6ddbe924439b07a0e289079ba2f4bdb60/08292024_043-Edit_LR.gif" /> <img width="1600" height="2000" width_o="1600" height_o="2000" data-src="https://freight.cargo.site/t/original/i/ffe20748d3c7f6030b2221e73d6b78af2874c1f2f1e511cfc49162843da9bd40/Affordable-dream-_LR_1.jpg" data-mid="208983129" border="0" src="https://freight.cargo.site/w/1000/i/ffe20748d3c7f6030b2221e73d6b78af2874c1f2f1e511cfc49162843da9bd40/Affordable-dream-_LR_1.jpg" /> <img width="1200" height="1500" width_o="1200" height_o="1500" data-src="https://freight.cargo.site/t/original/i/121d37cfc5adb2d66983be8207a41c930d46d3728e2efc064cbd4ed0bd078d51/what-does-the-donut-mean.gif" data-mid="200043905" border="0" alt="Couple of years ago, I was walking in the middle of nowhere. It was hot and dry. I was getting exhausted. When I almost faded out, my vision started to turn blurry pink. It was a sunset and a donut place. Donut, my relief, my light, and my sugar." data-caption="Couple of years ago, I was walking in the middle of nowhere. It was hot and dry. I was getting exhausted. When I almost faded out, my vision started to turn blurry pink. It was a sunset and a donut place. Donut, my relief, my light, and my sugar." src="https://freight.cargo.site/w/1000/i/121d37cfc5adb2d66983be8207a41c930d46d3728e2efc064cbd4ed0bd078d51/what-does-the-donut-mean.gif" /> <img width="1600" height="2000" width_o="1600" height_o="2000" data-src="https://freight.cargo.site/t/original/i/3c69d52b3fe7ab8343ac7a6390d551dfea12ea14f24b8df626f03e3fca7d10ad/HomeSpicyHome_1_LR.jpg" data-mid="198463913" border="0" src="https://freight.cargo.site/w/1000/i/3c69d52b3fe7ab8343ac7a6390d551dfea12ea14f24b8df626f03e3fca7d10ad/HomeSpicyHome_1_LR.jpg" /> <img width="1600" height="2000" width_o="1600" height_o="2000" data-src="https://freight.cargo.site/t/original/i/fbdf193ab38657bcd352e4884b74733f010a7e173054b6448770ad78b5ebd07b/Summer_Vacation_1_LR.jpg" data-mid="188498004" border="0" src="https://freight.cargo.site/w/1000/i/fbdf193ab38657bcd352e4884b74733f010a7e173054b6448770ad78b5ebd07b/Summer_Vacation_1_LR.jpg" /> <img width="1600" height="2000" width_o="1600" height_o="2000" data-src="https://freight.cargo.site/t/original/i/a2ec7ed7a21eb0291537fdb8e7adce77b5335ac88e7a6387810d5a7228c7b022/Summer_Vacation_7_LR.jpg" data-mid="188498006" border="0" src="https://freight.cargo.site/w/1000/i/a2ec7ed7a21eb0291537fdb8e7adce77b5335ac88e7a6387810d5a7228c7b022/Summer_Vacation_7_LR.jpg" /> <img width="1000" height="800" width_o="1000" height_o="800" data-src="https://freight.cargo.site/t/original/i/00f9e12a5f2985c08da8cca798d737ea5bb3cf5562f9108410fed55a1dcc3f38/IMG_0053.gif" data-mid="201018647" border="0" src="https://freight.cargo.site/w/1000/i/00f9e12a5f2985c08da8cca798d737ea5bb3cf5562f9108410fed55a1dcc3f38/IMG_0053.gif" /> <img width="2000" height="2000" width_o="2000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/016491d12795f988a36dc790ae07a3e379f85572aff07b10f7e73837f5bde02b/In-the-bush-1_LR.jpg" data-mid="201018501" border="0" alt="Nobody knows what happened in the bush. Nobody knows how many people hide their secrets in the bush." data-caption="Nobody knows what happened in the bush. Nobody knows how many people hide their secrets in the bush." src="https://freight.cargo.site/w/1000/i/016491d12795f988a36dc790ae07a3e379f85572aff07b10f7e73837f5bde02b/In-the-bush-1_LR.jpg" /> <img width="600" height="750" width_o="600" height_o="750" data-src="https://freight.cargo.site/t/original/i/886738f977faa5f651f361c1bc546f38afec8ad9cde26b54a23c0111677a5b8f/ezgif-2-277b5aa8f6.gif" data-mid="195384676" border="0" src="https://freight.cargo.site/w/600/i/886738f977faa5f651f361c1bc546f38afec8ad9cde26b54a23c0111677a5b8f/ezgif-2-277b5aa8f6.gif" /> <img width="1600" height="2000" width_o="1600" height_o="2000" data-src="https://freight.cargo.site/t/original/i/c70baec9aa142c0087045a142b2c0cf42bb33699b78494652287fa80f353f78d/Drive-all-day-long_2_LR.jpg" data-mid="187859323" border="0" src="https://freight.cargo.site/w/1000/i/c70baec9aa142c0087045a142b2c0cf42bb33699b78494652287fa80f353f78d/Drive-all-day-long_2_LR.jpg" /> <img width="1600" height="2000" width_o="1600" height_o="2000" data-src="https://freight.cargo.site/t/original/i/cb6b2542e9152a4a4537f1847decabfa20f187f3d50356ebe7db4fed25a6c807/Night-tree-1_LR.jpg" data-mid="174036459" border="0" src="https://freight.cargo.site/w/1000/i/cb6b2542e9152a4a4537f1847decabfa20f187f3d50356ebe7db4fed25a6c807/Night-tree-1_LR.jpg" /> <img width="1500" height="1200" width_o="1500" height_o="1200" data-src="https://freight.cargo.site/t/original/i/3150737d20427c27bdb472c4f6ba8f3878c32f4bdcd55457947e2d9ece163307/Lost-and-found-02_LR.jpg" data-mid="174036457" border="0" src="https://freight.cargo.site/w/1000/i/3150737d20427c27bdb472c4f6ba8f3878c32f4bdcd55457947e2d9ece163307/Lost-and-found-02_LR.jpg" /> <img width="1600" height="2000" width_o="1600" height_o="2000" data-src="https://freight.cargo.site/t/original/i/aa88802cfa86a409f3b88fb94312c4b8fb1e76fc1fae2cd8912fb141a4697708/Like-birds-3_LR.jpg" data-mid="175021490" border="0" src="https://freight.cargo.site/w/1000/i/aa88802cfa86a409f3b88fb94312c4b8fb1e76fc1fae2cd8912fb141a4697708/Like-birds-3_LR.jpg" /> <img width="1200" height="1500" width_o="1200" height_o="1500" data-src="https://freight.cargo.site/t/original/i/2d1fb3a634a81280622e188ee6811e3407b3d6a2c7cdc51aa96c9aad691d280a/Pink-throwback_LR_04.jpg" data-mid="174036463" border="0" src="https://freight.cargo.site/w/1000/i/2d1fb3a634a81280622e188ee6811e3407b3d6a2c7cdc51aa96c9aad691d280a/Pink-throwback_LR_04.jpg" /> <img width="1200" height="1500" width_o="1200" height_o="1500" data-src="https://freight.cargo.site/t/original/i/de4545134f3a679f9a94db1cb653fe7fb7350b674bcb36ea3f3236acacf04295/A-girl-wearing-a-red-skirt-16_LR.jpg" data-mid="174036433" border="0" src="https://freight.cargo.site/w/1000/i/de4545134f3a679f9a94db1cb653fe7fb7350b674bcb36ea3f3236acacf04295/A-girl-wearing-a-red-skirt-16_LR.jpg" /> Note: Sep 2024; When we share a moment in time and space, we each walk away with different memories. But when those memories blur a little, something shared starts to come through. It’s in this softened focus that empathy begins, allowing us to connect through shared experiences. Hazy memories add a unique feeling to our personal histories. What might be a negative memory for one person could be cherished by someone else. Something that feels new and exciting to one might be just part of someone else’s everyday routine. These layered experiences shape who we are, even when we’re living through the same moments. As we grow into distinct individuals, there’s still something that ties us all together. Beyond nationality, gender, or race, we’re united by the emotions we feel. Joy and sadness come from different sources, but they belong to all of us. I focus on this shared essence—those instincts and feelings we all have—before the labels like ‘Korean,’ ‘male,’ ‘immigrant,’ or ‘student’ come into play. There are certain things that speak to everyone: the beauty of a blue sky, the warmth of sunlight, or the rush of love. It’s not just the big things, though. Even small moments can feel universal. I used to think stacking stones on a mountain path was a uniquely Korean experience, but I’ve since learned that people in other cultures do the same. In my work, I try to blur the specifics of my own identity—Korean, male, immigrant—through abstract choices in color, shape, and form. This approach opens the door for others to bring their own stories and experiences into the work, creating connections across different lives and memories. I use layers of paper pulp, stacking them in uneven, irregular ways. Some of the layers are colored, while others remain bare. When I grind them together, patterns emerge that are both surprising and familiar. These shapes and forms are vague but full of feeling, reflecting my own story while also reaching out to shared human experiences. The textures in my work, layered and varied, remind me of how memories and identities build up over time. There’s a certain order in the structure, but the organic shapes and colors that surface add a sense of unpredictability, much like how our histories emerge from under layers of experience. I want my work to invite viewers to think about their own stories—both the personal and the shared—and how those stories overlap. The textures I create are meant to be touched with the eyes, pulling people in for a closer look. Every bump and groove in the surface reflects how memories change over time—they can fade, distort, or become sharper. Using paper pulp allows these textures to form naturally, much like how our memories resurface in unexpected ways. The physical layers mirror the complexity of our inner worlds, with their rough patches and hidden details. I’ve also started incorporating AI-generated images into my work. These images, once manipulated and buried within the layers, blur the boundary between what’s natural and what’s digital, just like how our memories are shaped by both real experiences and the influences around us. In the end, my goal is to create a space where personal and collective stories meet. By softening the lines between my own experiences and the emotions we all share, I want people to reflect on their own memories and how they connect with others'. The layered textures, colors, and AI elements are metaphors for the layers of identity that shape us. Ultimately, my work is about how we, as humans, navigate the complexities of memory and connection. Through this blend of material and meaning, I hope to inspire a sense of empathy, inviting people to find themselves within the abstract and realize that despite our differences, there’s always something we share. Jan 2024;In contemplating the interplay between the old and the new, I've come to recognize a unique depth that emerges from the aging process. While I appreciate the vibrancy of new experiences, there is a richness in the complexity that unfolds over time. This accumulated history, found in the aged and weathered, carries a profound enlightenment that captivates my fascination. Over the course of time, a subtle stacking occurs—of experiences, of lives, and of the very land beneath our feet. The cross-section of strata serves as a visual testament to the multitude of lives that have lived and passed away. We, in turn, inhabit a timeline shaped by these layers, living through both collective history and our personal narrative forged by the accumulation of diverse experiences. The unnoticed accumulation of time-worn elements becomes apparent only upon reflection. These vaguely gathered experiences, seemingly unremarkable at first, transform into the building blocks of individual personalities. Composed of a mosaic of experiences from different time periods, these bricks form the foundation of our concepts. As we selectively reveal the most recent or impactful experiences, we engage in a continuous process of refinement, peeling back the layers to uncover the intricacies within. This stacking of bricks, where experiences and time intertwine, is not a mere chronological accumulation—it is a fusion of values and varied shapes coming together to give rise to novel concepts. Unexpected combinations from different eras offer fresh perspectives and insights. Through this continuous process, I, as an individual, find strength and grounding. The peculiar harmony of bricks that differ yet fit together with uncanny propriety constantly encounters new additions, creating concepts yet to be unveiled. Oct 2023; By accumulating experiences and emotions in their time, personality is constructed. Every single individual's experience makes each person a unique person. So, everyone understands the world in slightly different ways. But time goes by constantly, and people keep growing, too. The world they see is continually changing, and what they perceive is a unique world to every moment that exists only at that point. I exist. And I am a unique human being who lives on time every second. And me existing on the multiple timelines connect back and forth between the past and the future. I couldn't imagine myself now ten years ago. But, I am somehow connected to the future, as sometimes I am enlightened from what I had in the past. So, I record what I perceive now for that time. My present is a combination of multiple time zones. Past times exist in the contemporary time through me. The mixture of me at various times becomes a link to prove my existence in the future. Jan 2023; When the memory becomes the story There is no same memory. People remember the same thing, but no one has the "same" memory. From the big story called life to the small things that happen daily, people live through various happenings and remember them. Since everyone's life is different, memories are also recorded in different shapes, even though they remember the same event. Some memory becomes a story. Time passing cannot naturally makes it. It happens when people constantly consider a memory that impressed them for a long time. Only memories refined with such thoughts exist as a story. The memory that became a story spreads, just as&nbsp; its name, "Story." And the story is remembered as a memory by another. I compress the moment of my life into a frame called&nbsp; "Photo." And just as I live with various experiences and thoughts, I add, remove, or overturn the memory in the picture, making the memory into a story. My story is becoming more abstract. But it seems similar to my appreciation of my memory. This process reminds me of piling a small tower with stones in the mountains when I was young. I searched the hill to find stones I liked with a vague wish. Looking at the sloppy tower I piled up, I thought my wish would come true. Maybe I am making my memory into a story in a similar way. Am I wishing myself full of stories that might have been a little better? Everyone is living with their own story. And I am completing my story one by one today. Sep 2022;As I hiked amongst the trees, there were towers I saw, built of stones, and I stared at them, fascinated. They sat by a trail I'd often go to and over time, the trail went through changes. Typhoons blew by and the road even flooded, but despite the changes, the towers of stone always stood. In all the silence of that trail, among the quiet trees, the towers seemed to speak to me. Then a thought came to me, as I looked at the stone tower: living is similar. Events of varying values constantly happen in our lives; a small inconvenience could cause us significant pain or something we were anxious about might turn out well. The story of who we are are made of the different, varying, and random things that happen in our lives. Just as the stones are scattered, piled together to form into a tower, I gather the pieces of my experience and stack them into an amalgamation of who I am. &nbsp; When I need to put down my thoughts, I still prefer to use paper and pencil. But my thoughts do not always fit into words. When this situation arises, I crumple up the paper instead, and lump them together. To me, the crumpled paper are like stones, a shape made by an unconscious nature. The wrinkled and lumpy forms somehow seem similar to my thoughts or situation. Such things, created by the release of emotion without any clear purpose, piled up in my space, like a stone rolling down a street. Though words can't define the stones, they became something to me. Things that were nothing began to become something. Crumpling paper made my thoughts clear, like a period to a sentence. A tower of my sentiments solidified. Documentation Video; Jul 2022 https://jeonghur.com/Something-2 Wed, 13 Oct 2021 12:54:18 +0000 JEONG HUR https://jeonghur.com/Something-2 <img width="3500" height="2333" width_o="3500" height_o="2333" data-src="https://freight.cargo.site/t/original/i/dfb36255a9f85642f060d2939fa66ea1e13d4e1b0d9c418143a4d8b5abed8b8e/Exhibition_Jeong-1.jpg" data-mid="189327201" border="0" src="https://freight.cargo.site/w/1000/i/dfb36255a9f85642f060d2939fa66ea1e13d4e1b0d9c418143a4d8b5abed8b8e/Exhibition_Jeong-1.jpg" /> <img width="3500" height="2333" width_o="3500" height_o="2333" data-src="https://freight.cargo.site/t/original/i/72308eef28412187fc7d0a35cb6b2907ffb09c1dcefdd1de76a5abd97f78f800/Exhibition_Jeong-3.jpg" data-mid="189327209" border="0" src="https://freight.cargo.site/w/1000/i/72308eef28412187fc7d0a35cb6b2907ffb09c1dcefdd1de76a5abd97f78f800/Exhibition_Jeong-3.jpg" /> <img width="3500" height="2333" width_o="3500" height_o="2333" data-src="https://freight.cargo.site/t/original/i/780657bbdb0c662f03dd278a51a0fc0c9017bfec25f57817c6ffca24571341ca/Exhibition_Jeong-17.jpg" data-mid="189327214" border="0" src="https://freight.cargo.site/w/1000/i/780657bbdb0c662f03dd278a51a0fc0c9017bfec25f57817c6ffca24571341ca/Exhibition_Jeong-17.jpg" /> <img width="3000" height="2000" width_o="3000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/30000c490cbb961fe7917d2e9bcb2a6d21126d1a4ee5fe8be52588a8d8b3d4e9/KakaoTalk_Photo_2023-08-30-13-35-43-003.jpeg" data-mid="189327118" border="0" src="https://freight.cargo.site/w/1000/i/30000c490cbb961fe7917d2e9bcb2a6d21126d1a4ee5fe8be52588a8d8b3d4e9/KakaoTalk_Photo_2023-08-30-13-35-43-003.jpeg" /> <img width="1959" height="2448" width_o="1959" height_o="2448" data-src="https://freight.cargo.site/t/original/i/a164d6cea5be4cff9f01bed7c8ddabacd5f7bdc9b1b10be63bf7d383eb750828/KakaoTalk_Photo_2023-08-26-23-30-35-001.jpeg" data-mid="189327110" border="0" src="https://freight.cargo.site/w/1000/i/a164d6cea5be4cff9f01bed7c8ddabacd5f7bdc9b1b10be63bf7d383eb750828/KakaoTalk_Photo_2023-08-26-23-30-35-001.jpeg" /> <img width="3000" height="2000" width_o="3000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/689b7e3970e59cd4abec24c77d17037035b0ff8873c0b66b999a1370769a26a3/KakaoTalk_Photo_2023-08-30-13-35-47-005.jpeg" data-mid="189327125" border="0" src="https://freight.cargo.site/w/1000/i/689b7e3970e59cd4abec24c77d17037035b0ff8873c0b66b999a1370769a26a3/KakaoTalk_Photo_2023-08-30-13-35-47-005.jpeg" /> image courtesy of floor_, Seoul <img width="1125" height="769" width_o="1125" height_o="769" data-src="https://freight.cargo.site/t/original/i/503ced73bfdb65b01e4c92048a343e9747b9d90bdd75664ad65455134df34bdd/IMG_0783.jpg" data-mid="246790635" border="0" src="https://freight.cargo.site/w/1000/i/503ced73bfdb65b01e4c92048a343e9747b9d90bdd75664ad65455134df34bdd/IMG_0783.jpg" /> <img width="12600" height="8400" width_o="12600" height_o="8400" data-src="https://freight.cargo.site/t/original/i/80b6172770441366f4ec87f9a9400df6f409d82ce2b9f4e60cefa0cd20471eb4/Encounter.jpg" data-mid="189327975" border="0" src="https://freight.cargo.site/w/1000/i/80b6172770441366f4ec87f9a9400df6f409d82ce2b9f4e60cefa0cd20471eb4/Encounter.jpg" /> <img width="2500" height="3500" width_o="2500" height_o="3500" data-src="https://freight.cargo.site/t/original/i/f4ce42ff5358b68b70d7bcee8c72570a8c5cf7a5fd2c713a1a78d6a0bf4bf527/10302021_Roof-19-Edit.jpg" data-mid="189327788" border="0" src="https://freight.cargo.site/w/1000/i/f4ce42ff5358b68b70d7bcee8c72570a8c5cf7a5fd2c713a1a78d6a0bf4bf527/10302021_Roof-19-Edit.jpg" /> <img width="2204" height="2833" width_o="2204" height_o="2833" data-src="https://freight.cargo.site/t/original/i/8f66ab4bf76a134b5e06482c8ee978d64fa1c42bf62d0a17242ca5b36273ebcd/Portrait_Hair.JPG" data-mid="189327978" border="0" src="https://freight.cargo.site/w/1000/i/8f66ab4bf76a134b5e06482c8ee978d64fa1c42bf62d0a17242ca5b36273ebcd/Portrait_Hair.JPG" /> <img width="12036" height="8597" width_o="12036" height_o="8597" data-src="https://freight.cargo.site/t/original/i/de9e7f08696570a4dbda5c84c3c06c35c635d0bd436b150e41abbadf66462528/Wish.jpg" data-mid="189327976" border="0" src="https://freight.cargo.site/w/1000/i/de9e7f08696570a4dbda5c84c3c06c35c635d0bd436b150e41abbadf66462528/Wish.jpg" /> <img width="2333" height="3500" width_o="2333" height_o="3500" data-src="https://freight.cargo.site/t/original/i/859e61366f19a3d100dce58a2fb394ffc3fc1d9eb67ba5def9170ea61dd9f50a/Prometheus-3.jpg" data-mid="189328115" border="0" src="https://freight.cargo.site/w/1000/i/859e61366f19a3d100dce58a2fb394ffc3fc1d9eb67ba5def9170ea61dd9f50a/Prometheus-3.jpg" /> <img width="4766" height="2000" width_o="4766" height_o="2000" 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data-src="https://freight.cargo.site/t/original/i/517066fb184b50b9bc50a0e41a778f18c554933b98e7e2be86146c72e6a8e921/Twinkle_1.jpg" data-mid="123312667" border="0" src="https://freight.cargo.site/w/1000/i/517066fb184b50b9bc50a0e41a778f18c554933b98e7e2be86146c72e6a8e921/Twinkle_1.jpg" /> https://jeonghur.com/Book Wed, 08 Oct 2025 19:55:33 +0000 JEONG HUR https://jeonghur.com/Book <img width="2000" height="1500" width_o="2000" height_o="1500" data-src="https://freight.cargo.site/t/original/i/acb91e1ab317767b718a5a73e31149e7a3d2e3bf9f827128581d34f8feb3ff23/Strips-of-Memory-1.jpg" data-mid="239166213" border="0" src="https://freight.cargo.site/w/1000/i/acb91e1ab317767b718a5a73e31149e7a3d2e3bf9f827128581d34f8feb3ff23/Strips-of-Memory-1.jpg" /> <img width="2000" height="1500" width_o="2000" height_o="1500" data-src="https://freight.cargo.site/t/original/i/fb63621eb6242f550ace289cc7418618b6658adb7e3b9c6396b13009ff2b3441/Strips-of-Memory-2.jpg" data-mid="239166215" border="0" src="https://freight.cargo.site/w/1000/i/fb63621eb6242f550ace289cc7418618b6658adb7e3b9c6396b13009ff2b3441/Strips-of-Memory-2.jpg" /> <img width="2000" height="1500" width_o="2000" height_o="1500" data-src="https://freight.cargo.site/t/original/i/69c4d568d4ce9c355f5116ed5c217f0c016f103bb2e776c5659b3b5090ea8b14/Strips-of-Memory-3.jpg" data-mid="239166217" border="0" src="https://freight.cargo.site/w/1000/i/69c4d568d4ce9c355f5116ed5c217f0c016f103bb2e776c5659b3b5090ea8b14/Strips-of-Memory-3.jpg" /> <img width="2000" height="1500" width_o="2000" height_o="1500" data-src="https://freight.cargo.site/t/original/i/3a58778f8d2f4eae62e195468e3170c402985f754250fa8fe9bcb053769730bc/Strips-of-Memory-4.jpg" data-mid="239166220" border="0" src="https://freight.cargo.site/w/1000/i/3a58778f8d2f4eae62e195468e3170c402985f754250fa8fe9bcb053769730bc/Strips-of-Memory-4.jpg" /> <img width="2000" height="1500" width_o="2000" height_o="1500" data-src="https://freight.cargo.site/t/original/i/d8b2e26f7d6dac64280fa693a08689477f95efa6ebe62fd95274a3dac85b0abe/Strips-of-Memory-5.jpg" data-mid="239166222" border="0" src="https://freight.cargo.site/w/1000/i/d8b2e26f7d6dac64280fa693a08689477f95efa6ebe62fd95274a3dac85b0abe/Strips-of-Memory-5.jpg" /> <img width="2000" height="1500" width_o="2000" height_o="1500" data-src="https://freight.cargo.site/t/original/i/b298e2e494a76a79af1031c6212c22369f59ab2c75262527cfa22ab71c98404d/Strips-of-Memory-6.jpg" data-mid="239166225" border="0" src="https://freight.cargo.site/w/1000/i/b298e2e494a76a79af1031c6212c22369f59ab2c75262527cfa22ab71c98404d/Strips-of-Memory-6.jpg" /> <img width="2000" height="1500" width_o="2000" height_o="1500" data-src="https://freight.cargo.site/t/original/i/752706b96d1d626d80b1b4c5545e2e81d5e0060067ab66e98e312caa9a6f06fa/Strips-of-Memory-7.jpg" data-mid="239166226" border="0" src="https://freight.cargo.site/w/1000/i/752706b96d1d626d80b1b4c5545e2e81d5e0060067ab66e98e312caa9a6f06fa/Strips-of-Memory-7.jpg" /> Strips of Memory,&nbsp;Self-published, 2025, 6 × 9 in, 48 pages (44 pages + covers), Edition of 25 <img width="2000" height="1500" width_o="2000" height_o="1500" data-src="https://freight.cargo.site/t/original/i/f52a4c56c0ea5fc28eee0f16d05f33a10dc7d3d77cd35b048aa0de3ef3042700/Twinkle-1.jpg" data-mid="239166181" border="0" src="https://freight.cargo.site/w/1000/i/f52a4c56c0ea5fc28eee0f16d05f33a10dc7d3d77cd35b048aa0de3ef3042700/Twinkle-1.jpg" /> <img width="2000" height="1500" width_o="2000" height_o="1500" data-src="https://freight.cargo.site/t/original/i/7b0074868040b39f7617d9a528950e5700f425284d18dbfcc6b4a1c30984aeb0/Twinkle-2.jpg" data-mid="239166183" border="0" src="https://freight.cargo.site/w/1000/i/7b0074868040b39f7617d9a528950e5700f425284d18dbfcc6b4a1c30984aeb0/Twinkle-2.jpg" /> <img width="2000" height="1500" width_o="2000" height_o="1500" data-src="https://freight.cargo.site/t/original/i/eada341cdbdde25a5ead9167c4aab106c1893b70c30ba8f81be4f8c074176016/Twinkle-3.jpg" data-mid="239166185" border="0" src="https://freight.cargo.site/w/1000/i/eada341cdbdde25a5ead9167c4aab106c1893b70c30ba8f81be4f8c074176016/Twinkle-3.jpg" /> <img width="2000" height="1500" width_o="2000" height_o="1500" data-src="https://freight.cargo.site/t/original/i/d081d675c123a5f7a9e757c89ceed9fb7c30424f07f93a97e06dcf9601737395/Twinkle-4.jpg" data-mid="239166188" border="0" src="https://freight.cargo.site/w/1000/i/d081d675c123a5f7a9e757c89ceed9fb7c30424f07f93a97e06dcf9601737395/Twinkle-4.jpg" /> <img width="2000" height="1500" width_o="2000" height_o="1500" data-src="https://freight.cargo.site/t/original/i/3e46694f8a838a6cffdf605783d2363c935872959d9ba823f13da95513bb95f7/Twinkle-5.jpg" data-mid="239166190" border="0" src="https://freight.cargo.site/w/1000/i/3e46694f8a838a6cffdf605783d2363c935872959d9ba823f13da95513bb95f7/Twinkle-5.jpg" /> <img width="2000" height="1500" width_o="2000" height_o="1500" data-src="https://freight.cargo.site/t/original/i/c7f68a12d2e6defab656427a85a68a3633256eb980e8a9403b4a4ebfffa8e3da/Twinkle-6.jpg" data-mid="239166193" border="0" src="https://freight.cargo.site/w/1000/i/c7f68a12d2e6defab656427a85a68a3633256eb980e8a9403b4a4ebfffa8e3da/Twinkle-6.jpg" /> Twinkle, Self-published, 2019, 6 × 9 in, 28 pages, Edition of 20